Baroque violinist David Wilson has performed extensively with period instrument ensembles in the United States and Europe, including Philharmonia Baroque Orchestra, the Portland Baroque Orchestra, and the Los Angeles Baroque Orchestra. A co-founder of the Bloomington Early Music Festival, he also performs regularly at the Boston Early Music Festival, the Berkeley Early Music Festival, and the San Luis Obispo Mozart Festival. He has taught Baroque violin at Indiana University. He is the author of Georg Muffat on Performance Practice published by Indiana University Press. (Order here from IU Press.)
Elizabeth Blumenstock is a frequent soloist, concertmaster, and leader with San Francisco’s Philharmonia Baroque Orchestra and American Bach Soloists, and is concertmaster of the International Handel Festival in Göttingen, Germany. Her chamber affiliations include Musica Pacifica, Ensemble Mirable, and Galax Quartet, among others. She is Director of the Corona del Mar Baroque Music Festival and teaches at the San Francisco Conservatory of Music.
Composer and performer on the viola da gamba, Roy Whelden has been called "a key figure in the world of new music" (Early Music America). He has been profiled as a composer and gambist on Minnesota Public Radio. His recordings include the award winning Shock of the Old and Galax - music for viola da gamba (New Albion 059), as well as Like a Passing River (New Albion 072). He has performed and recorded with many internationally known ensembles, including the medieval ensemble Sequentia.
David Morris has performed with Tafelmusik, Philharmonia Baroque Orchestra, American Bach Soloists, the Los Angeles, Portland and Seattle Baroque Orchestras, Musica Angelica and the Mark Morris Dance Company. He was the founder and musical director of the Bay Area baroque opera ensemble Teatro Bacchino, and has produced operas for the Berkeley Early Music Festival and the San Francisco Early Music Society series.